2026 Vol. 56

Cover

Vol.56 No.1

Title	Author	Genre
Simultaneity of Square and Circle: Calendrical Learning and the Concept of Universal Circulation in the Zhouyi Shilun Hebian	Lee Chung-ta	Article
The Cross-Cultural Entanglement between Modern Calligraphy and Zen	Lin Chun-chen	Article
The Cross-Strait Context of “Modernity”: Ho Tieh-hua’s “New Art Movement” and Postwar Taiwanese Modernism	Kuo Che-yu	Article
Language Awareness and Ethnic Boundaries in the Baosheng Dadi Cult of Southern Taoyuan Hakka Communities	Chen Hsiao-chi	Article
A Lexical-Semantic and Collostructional Analysis of the Near-Synonymous Verbs La, Tuo, and Che in Mandarin Chinese	Cheng Szu-ting , Yeh Jui-chuan	Article

Title	Author	Genre
Preface-Vol.56 No.2	Lee Chen-hui	Preface
An Analysis of the History of Poetry in Wenxin Diaolong	Chien Liang-ju	Article
The Concept of the “Ancient” in the Literature of Early Liu-Song Dynasty Imperial Princes: Imitation, Jian’an, and Military Life	Ohira Sachiyo	Article
The Concept of Xing in Du Fu’s Poetry and Its Implications for the Shift in Tang Poetics	Hsu Ming-chuan	Article
Emotion, Negation of Emotion, and Reality: On Stephen Soong’s (Song Qi’s) Poetics of Emotion	Kwok Kou Leonard Chan	Article
Encountering Traces in Zhendan: Daoxuan’s Stupa Narratives in Ji Shenzhou Sanbao Gantong Lu and Their Contemporaneity	Liu Yuan-ju	Article
Literati on Stage, Actors in Office: “Mobile” Theatre Troupes and Social Imaginaries in Mid-Qing Novels	Yang Chung-wei	Article
Xiaopinwen as a Product of the Republican Era: Institutions, Genres, and Paradigms	Liu Cheng-chung	Article